My mixed feelings about the Academy Awards/Oscars is slightly unfair. Calling celebrities bigheaded and self-righteous is like maybe calling Carley Rae Jepsen. In the words of Celine Dion, that's just the way it is.
But yeah, let's do this Oscars thing again. Friendly reminder about the CGI Fridays Oscars: I'll pick from the Academy's honorable candidates, but also from the entire cinematic field.
The link to the 2019 CGI Fridays Oscars is above and my 2018 picks can be seen below:
Actor
Academy: Joaquin Phoenix, Joker
CGI Fridays: Joaquin Phoenix, Joker
Worth Mentioning: Taron Egerton, Rocketman, Timothée Chalamet, The King & Robert Downey Jr., Avengers: Endgame
Phoenix leads the first billion dollar R-rated movie with reckless abandon and more than deserves the "Best Actor" nod. Egerton, who won a Golden Globe, didn't get an Oscar nomination and Chalamet's portrayal in Netflix's The King earned him an Australian nominéetion but no love stateside. Though the Avengers finale was crowded, Downey Jr. cemented his place alongside the "Infinity Saga" in cinema history.
Actress
Academy: Scarlett Johansson, Marriage Story
CGI Fridays: Scarlett Johansson, Marriage Story
Worth Mentioning: Jodie Turner-Smith, Queen & Slim & Kaitlyn Dever, Booksmart
It's the 12th time an actor/actress has received a nomination in both the leading and supporting categories and while nobody has ever won both in the same Oscars, ScarJo has a real shot here.
Supporting Actor
Academy: Tom Hanks, A Neighborly Day in the Beautywood
CGI Fridays: Shia LaBeouf, The Peanut Butter Falcon
Worth Mentioning: Zack Gottsagen, The Peanut Butter Falcon, Jamie Foxx, Just Mercy & Chris Evans, Avengers: Endgame
The Mr. Rogers movie that isn't really about Mr. Rogers, hence the "supporting" nomination for Tim Honks. Both LaBeouf and Gottsagen could nab either category in my book and Foxx once again flexes his extremely strong acting muscles. Evans, alongside Downey Jr., rides off into the sunset with a somehow underappreciated performance as Captain Ameica.
Supporting Actress
Academy: Scarlett Johansson, Jojo Rabbit
CGI Fridays: Thomasin McKenzie, Jojo Rabbit
Worth Mentioning: Elizabeth Banks, Brightburn
As it so happens, Johansson's younger counterpart in Jojo Rabbit is worthy herself of awards consideration. McKenzie broke out with 2018's Leave No Trace and the New Zealander is quickly making a name for herself in impressive roles.
Editing
Academy: Michael McCusker and Andrew Buckland, Ford V Ferrari
CGI Fridays: Jeffrey Ford, Avengers: Endgame
Worth Mentioning: Elliot Graham and Debbie Berman, Captain Marvel
A filmmaker on a DVD commentary I can't particularly recall once said the most difficult part of filming are the car scenes. In a movie literally about racing cars, a tough task was met in Ford V Ferrari. Elsewhere, if not for a different Ford, frequent MCU editor Jeffrey Ford, we wouldn't have had this scene.
Cinematography
Academy: Roger Deakins, 1917
CGI Fridays: Roger Deakins, 1917
Worth Mentioning: Trent Opaloch, Avengers: Endgame
Films get hyped up all the time (duh) but rarely do they meet expectations (also duh). In the case of 1917, the film's technical achievements were its calling card and it absolutely meets its own high bar.
International Film
Academy: Parasite
CGI Fridays: Parasite
Worth Mentioning: Hotel Mumbai
Parasite is fantastic but I don't quite think its the epic people make it out to be. Hotel Mumbai isn't actually an international film by definition, despite its international story, international cast, international crew and initial foreign release. I don't make the rules.
Visual Effects
Academy: Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick, Avengers: Endgame
CGI Fridays: Dan DeLeeuw, Russell Earl, Matt Aitken and Dan Sudick, Avengers: Endgame
Worth Mentioning: Dietrich Hasse, Brightburn
My least favorite Oscar category because it's the most transparent. Hollywood hates blockbuster movies and get all high and mighty when popcorn movies happen to contain far superior acting, emotion and story than the latest Oscar darling or indy hit. The field is also getting muddled because of what money can buy nowadays but you can't discount the amount of work by literal thousands that contribute to movies like Avengers,.
Original Score
Academy: Hildur Guðnadóttir, Joker
CGI Fridays: Alan Silvestri, Avengers: Endgame
Worth Mentioning: Michael Giacchino, Spider-Man: Far From Home & Thomas Newman, 1917
Guðnadóttir's simple yet intoxicating cello score is given even more recognition because of Joaquin Phoenix's accompanying bathroom dance. I've said this time and time again, Silvestri's Avengers theme is the John Williams Star Wars of our generation.
Costume Design
Academy: Mayes C. Rubeo, Jojo Rabbit
CGI Fridays: Jane Petrie, The King
Worth Mentioning: Judianna Makovsky, Avengers: Endgame
I remembered which DVD commentary it was. It was John Wick.
Production Design
Academy: Dennis Gassner & Lee Sandales, 1917
CGI Fridays: Dennis Gassner & Lee Sandales, 1917
Worth Mentioning: Charles Wood, Avengers: Endgame
Again, 1917 soared past even its own stylistic expectations.
Sound
Academy: Matthew Wood and David Acord, Star Wars: The Rise of Skywalker
CGI Fridays: David Farmer, Avengers: Endgame
Worth Mentioning: Oliver Tarney & Michael Fentum, 1917
A la visual effects, sound artistry has also gotten to extremely sophisticated levels (as showcased in this year's documentary, Making Waves: The Art of Cinematic Sound). Despite a movie's quality, if some millions were thrown at it, you can expect at least most of it to (look and) sound beautiful.
Documentary
Academy: (none of the above)
CGI Fridays: Screwball
Worth Mentioning: Making Waves: The Art of Cinematic Sound
Adapted Screenplay
Academy: Taika Waititi, Jojo Rabbit
CGI Fridays: Christopher Markus & Stephen McFeely, Avengers: Endgame
Worth Mentioning: Nicole Perlman, Meg LeFauve, Anna Boden, Ryan Fleck & Geneva Robertson-Dworet, Captain Marvel
When a movie has more than two writers, it usually never turns out well. Captain Marvel had a slew of credited writers including Guardians of the Galaxy co-writer Perlman. As all comic book films are, it's based on an existing property but the way the five writers on Marvel's first female-led movie transformed the source material was, well, marvelous.
Original Screenplay
Academy: Quentin Tarantino, Once Upon a Time...in Hollywood
CGI Fridays: Lee Eisenberg & Gene Stupnitsky, Good Boys
Worth Mentioning: Tyler Nilson and Michael Schwartz, The Peanut Butter Falcon
While Once Upon a Time... was one of my more disappointing films of the year, there's no doubt in Tarantino's pinpoint writing, even if the film itself drags. As for Good Boys, it's hard to write for kids when they are secondary characters. A movie based on adolescents could have gone very wrong.
Best Director
Academy: Sam Mendes, 1917
CGI Fridays: Anthony & Joe Russo, Avengers: Endgame
Worth Mentioning: Billy Corben, Screwball
1917 is an intense, slow burn and captures war as well as any film ever has. Even if it can literally crawl at times, that's sort of the point. It's every bit the technical masterpiece it set out to be.
Best PictureAcademy: Jojo Rabbit
CGI Fridays: Avengers: Endgame
Taika Waititi's filmography keeps growing in both strength and numbers with every film. From Boy to What We Do in the Shadows to Hunt for the Wilderpeople to Thor: Ragnarok and now Jojo Rabbit, he's more than proved himself as one of Hollywood's finest talents.
And yes, I chose Endgame. We've just come to expect greatness out of the MCU when the reality is tentpole blockbuster films almost always turn out poorly. Just like Infinity War, with so much at stake, Marvel didn't freeze.
Worst Picture
CGI Fridays: Annabelle Comes Home
Worth Mentioning: Ad Astra & Godzilla: Gods of Monsters
Annabelle Comes Home is a prequel to the last Annabelle but a sequel to the Annabelle before that...or something. I never want to accuse a studio for milking a product because movies take a lot of time and effort, but this third installment is beyond pointless. Then again.
Speaking of pointless, Ad Astra. Godzilla is not pointless, it's just stupid. Then again.
Sleeper Hit
CGI Fridays: Freaks
Worth Mentioning: Hotel Mumbai & Murder Mystery
CGI Fridays: It Chapter 2
The story has holes but Freaks is right up my alley. It's a little bit X-Men with a lot of inspiration from post-apocalyptic mysteries. Hotel Mumbai is humbling, scary and frighteningly real. Murder Mystery was yet another Adam Sandler Netflix movie that put Sandler and Jennifer Anniston in good spots to rekindle some of that 2000's comedy magic.
Biggest Disappointment
CGI Fridays: It Chapter 2
Worth Mentioning: Reign of the Supermen & John Wick: Chapter 3 - Parabellum
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